Author Archives: admin

About admin

theatre director, life observer, car in a past life

Rosa sat, so Martin could walk…

“Rosa sat so Martin could walk

Martin walked so Barack could run

Barack ran, he ran and he won

So all our children could fly”

 

I’ve gotten so used to seeing Barack Obama on TV as my president that I don’t always think about what I’m seeing. But when I hear this song, it takes me back to that moment when I found out Barack Obama would be the first African-American president of the United States of America.  So many people fought, struggled and died to bring about that day and this day – a day when I can forget, even for a moment, that my president is a black man.

 

“Rosa sat” – Rosa Parks stood up for her right to be treated as a human being by sitting down on that Montgomery bus.

 

“Martin walked” – The Rev. Dr. Martin Luther King, Jr. was the visible leader of a movement that walked from Selma to Montgomery, marched on Washington and in many other places in this nation to fight for equal treatment and the right to vote.

 

“Barack ran” – The very idea that this nation – the same country in which a few short years ago I would not have been able to ride a bus from one state to another without worrying; the same country in which integrating Little Rock Central High School required the intervention of the National Guard; the same country in which Medgar Evers was shot in his driveway because of his activism – that this country chose a black man as a presidential candidate is profound. 

 

I remember a conversation I had with one of my teachers at the time.  He asked me who I was for – Barack or Hillary – I told him that I was afraid to root for Barack.  After growing up with stories of black activists getting shot and beaten, I was afraid to watch that happen to someone else.  I was afraid to hope.  My teacher smiled and reminded me that we have to hope for the future, we can’t live in fear.

And then it happened.  Barack Obama was elected the 44th President of these United States of America.  The joy of hope fulfilled shot through me that night; joy that so many people were joyful – could be joyful, wanted to be joyful.  It was magnificent.  

            I think of those people who stayed up late into the night planning marches and demonstrations; those people who put their bodies and lives on the line to walk into fire hoses and growling dogs; family members who were terrorized, beaten or shot for being in the wrong place at the wrong time or refusing to be less than they were – the election of this black man to our highest public office is not only a testament to the efforts of those who went before, but a vindication of their faith in America.

 

Rosa sat – so Martin could walk

Martin walked – so Barack could run

Barack ran – he ran and he won

So that all our children could fly.

I Want My Ham! A Meditation On Hambone

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I’m assisting on Two Trains Running and have the privilege of
listening to the play every day. One of the characters in the play,
Hambone, has essentially two lines. “I want my ham.” “He gonna give
me my ham.” After listening to those lines for several days, one day
I suddenly heard them. Although he seems simple, Hambone’s story is
one of profound persistence in the face of injustice.

For nearly a decade, this man has tried to claim what he believes is
rightfully his – just payment for his services. Although he is
offered a lower fee (a chicken), he refuses. He will take nothing
less than a ham, no matter how many times he must ask for it. His
request is simple, but his stubborn determination is profound.

Monday, January 21st, is the day set aside to remember the Rev. Dr.
Martin Luther King, Jr. During his final trip in Memphis, Dr King
(along with many others) worked with the Sanitation Workers to help
bring their strike to a successful conclusion. They are the ones you
see in photos from the period holding signs that say “I AM a man.”
This was not the first (nor would it be the last) time they had struck
to fight for a living wage. Those men, like Hambone were fighting for
their right to be heard, or as Dr King said the night before he died
“We are saying that we are determined to be men. We are determined to
be people.” It seems such a simple thing, and something that today
most of us are lucky enough to take for granted. But those simple
things are often the most difficult to attain.

At a production meeting last week someone, in reference to using food
on stage, said “We can’t do leftovers.” The phrase stuck with me. It
seemed more profound than the intended meaning of the moment. Hambone
wasn’t settling for leftovers. The strikers in Memphis weren’t
settling for leftovers. And Dr. King certainly wasn’t settling for
leftovers.

What does this mean for me? I’m an artist. I’m black. I’m a woman.
Many people fought and died for my right to ride on a bus and sit
anywhere I please; many people fought and died for my right to so
freely declare myself an artist – without my ancestors struggle for
self-determination (their “ham”), I would not have been free to follow
my heart into theatre. To honor their fight, I believe it’s my duty
to give my all to my craft, to learn as much as I can and to speak
with integrity through my work. I need to fight for my own ham.

We as a people should not settle for leftovers. It may take the
stubborn determination of Hambone, but to get to the Promised Land we
can’t settle for leftovers. I want my ham. He gonna give me my ham.

Mind The Gap

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I’m a New Yorker – I feel like I’ve said that more in this last week
than in any of my previous stints out of town. Even those that lasted
a few years. But in trying to understand Ashland, I keep coming up
against how different it is from what I’ve become accustomed to in
that East Coast metropolis.

Sitting in a clearly popular coffee shop (it can be hard to get a
seat), it has the same sepia glow of an Instagram photo that I’ve
become accustomed to in Brooklyn. But there’s a difference. Looking
around, I see the requisite hipster Macs, iPhones and beards. What’s
missing is the sense of an audience. There’s an unselfconscious air
about cool in Ashland. In New York, it’s studied, calculated,
documented with the target audience always in mind.

New York often gets a bad rep for being mean. It’s not really – most
New Yorkers are simply in a hurry. Everyone is vaguely impatient or
annoyed at any given point of day or night. Someone is always in the
way, walking too slow, or taking up needed space. New Yorkers can be
nice and are often considerate, but it’s always an interruption of the
daily rush.

In Ashland, not so much. Here, I have been on the sidewalk, waiting
for a break in traffic to cross and suddenly I find the traffic has
stopped to wait for me. Or I’m at the register at my local coffee
spot, the barista answers my questions with absolutely no sense of
trying to hurry me up, despite the long line behind me. Or the small
conversations I’ve had with the cashiers each time I’ve been to the
grocery store. Conversations about nothing, really, but the simple
act of talking to people that I may never see again as if they are my
neighbors is extraordinary to me.

It’s all done here with a sense that this is normal, a daily practice.
I’m not taking up someone’s time with a question, they patiently wait
but there’s no exertion of patience, it’s effortless. Friendliness and
patience seem effortless and genuine in Ashland.

I’m from a small town, and growing up I was used to running into
friends from church or school at the mall. Friends’ parents worked at
the bank and the grocery store – so even when I go back to visit, I
may run into them and have a brief chat. But with that – I do know
them, or my mother does, or we know people in common, so there’s a
reason to reach across that divide. But here…people reach out a
welcoming hand as a matter of course. A gap that in New York can seem
as deep as the Mariana Trench is bridged as if were a puddle. Ashland
is bringing a whole new meaning to “Mind the Gap.”

Coming up – Donya does Yiddish Theatre

God, Man, and Devil
by Jacob Gordin

People are righteous when righteousness doesn’t cost them much, or
when it brings them some profit. Satan puts man to the test to show
God how much he can depend on even the finest and best of them.

October 17 – 21 at 7:30 pm

The Brick
579 Metropolitan Avenue
(btw. Union & Lorimer)
L train to Lorimer / G train to Metropolitan

Tickets:$15, $12 if ordered by OCTOBER 5th (Friday)

Directed by: Donya K. Washington
Design by: Dede Ayite and Zach Murphy
Assistant Director/Stage Manager: Raymond Blankenhorn

with
Alton Alburo
Jesse Geiger
Kevaughn Harvey
Sasha Kaye
Alan McNaney
Anna Rosa Parker
Shanga Parker
Hugh Sinclair
Monica Willey

part of The TMT Lab
October 17 – November 3, 2012

“Brooklyn’s Best Mad Theater Science”- The L Magazine

for more information visit: http://www.targetmargin.org/our-season/lab/

the show i’m directing that opens next week…Pete the Girl

Hi everyone,

As per usual, I got caught up working and forgot to tell anyone what I
was doing…

I hope you are all well.
Cheers
dkw

The Refinery Rising Circle Theater Collective’s Workshop for New Plays
and
Culture Project’s Women Center Stage 2012 Festival
co-present

Pete the Girl
by Charity Henson-Ballard

directed by Donya K Washington

Petrice Kincaide, a troubled, inner-city softball prodigy, finds a
promising future in world domination when she teams up with Vera, a
brilliant physicist living in her housing project. Vera offers Pete
her scientific genius, secretly creating techniques for base-stealing
“sonic leaps” and grand slam home runs. The only thing standing in the
way of their guaranteed financial success and political power: Vera
and Pete.

Tuesday, March 27th at 7:30 p.m.
Wednesday, March 28th at 7:30 p.m.
Saturday, March 31st at 3:00 p.m.
Saturday, March 31st at 7:30 p.m.
Sunday, April 1st at 7:00 p.m.

at

The Living Theater, 21 Clinton Street
Buy your tickets now:
http://www.cultureproject.org/wcs/festival/pete-the-girl/
Use Code MATINEE12 for discount tickets for the 3pm show

Featuring

Susan Kelechi Watson & Marie Guinier

Designed by Steven Arnoczy, Dede Ayite, Zach Murphy, M. Florian Staab
Stage Manager Michelle Kelleher
Associate Producer Jesse Alick
Rising Circle Lead Producer Deepa Purohit

Here’s an interview with the playwright I’m working with on Little Louise….

Click to View the Interview with Patricia Ione Lloyd


The Fire This Time 10-Minute Play Festival
A platform for talented early-career playwrights of African-American descent to explore new voices, styles and challenging new directions for 21st century performing arts, and move beyond common ideas of what is possible in “black theater.”

January 19, 20, 21 & 25 @ 8pm
The Kraine Theater
Thursday 1/19 Pay What You Can, Cash @ the box office
For tickets on 1/20, 21 & 25 go to http://www.smarttix.com/ and type in Fire This Time Festival tickets are $15 and may also be purchased half hour before the show